10 Best Rock Songs About Criminals (2024)

# 10 – Criminal – Fiona Apple

Opening this list with a raw, introspective look at guilt and redemption, Fiona Apple’s “Criminal” remains one of the most haunting explorations of personal transgression in rock. Released as the third single from her debut album, Tidal, in 1997, “Criminal” brought Apple into the spotlight with a mix of vulnerability and grit that captivated audiences and critics alike. The song, produced by Andrew Slater and recorded at Ocean Way Recording in Los Angeles, features Apple’s intense vocal delivery alongside a darkly layered instrumental arrangement. With Jon Brion on the Chamberlin, Matt Chamberlain on drums, Rob Laufer on guitar, and Dan Rothchild on bass, the song’s sound balances delicacy with an unsettling intensity that mirrors its lyrical themes. “Criminal” climbed to number twenty-one on the Billboard Hot 100 and earned Apple a Grammy for Best Female Rock Vocal Performance, solidifying it as her highest-charting single and her most iconic track.

Lyrically, “Criminal” captures a complex portrait of guilt, self-awareness, and the desire for forgiveness. Apple admits to manipulative behavior with lines like “I’ve been a bad, bad girl / I’ve been careless with a delicate man,” revealing a sense of remorse for having exploited her sexuality to get what she wanted. The line “What I need is a good defense / ‘Cause I’m feeling like a criminal” serves as a confessional refrain, as Apple grapples with the moral weight of her actions, seeking redemption even while acknowledging her culpability. This emotional plea, “I need to be redeemed to the one I’ve sinned against / Because he’s all I ever knew of love,” underscores her longing for absolution, layering personal regret with an urgent need for validation. This raw self-examination sets “Criminal” apart, presenting ‘criminality’ not as a literal transgression but as a deeply personal moral struggle.

Musically, “Criminal” is built on a dark, bluesy foundation, with Apple’s commanding vocals leading an arrangement that feels almost cinematic in its tension. The piano and Chamberlin lines weave a haunting atmosphere, while the bassline adds a throbbing, almost menacing undertone that emphasizes the song’s themes of inner conflict and desire. Mark Romanek’s music video for “Criminal” further amplified these themes, using stark imagery that shows Apple in vulnerable, provocative states, which critics interpreted as commentary on voyeurism and societal expectations of young women. This visual, along with Apple’s lyrical introspection, positions “Criminal” as a powerful opening for this list. It introduces the theme of ‘criminality’ as both a societal and personal construct, diving into the complexities of guilt, redemption, and self-awareness. As the song that launches this exploration, “Criminal” sets the tone for an intricate examination of moral boundaries in rock, capturing the dual nature of sin and the desire for forgiveness.

Read More: Complete List Of Fiona Apple Albums And Songs

# 9 – Delilah– Tom Jones

“Delilah” by Tom Jones is a dramatic tale of betrayal and revenge, capturing the raw emotions of jealousy and desperation. Released in 1968, the song became one of Jones’s signature hits, reaching number two on the UK Singles Chart and charting internationally. Written by Barry Mason and Les Reed, with Reed also serving as producer, “Delilah” features a powerful orchestral arrangement that complements Jones’s intense vocal performance. Recorded at Decca Studios in London, the song showcases Jones’s formidable range, moving from quiet reflection to an impassioned, almost operatic climax. Its infectious chorus and theatrical storytelling have made “Delilah” a staple in Jones’s live performances, cementing its place in popular culture.

Lyrically, “Delilah” tells the story of a man who discovers his lover’s infidelity and ultimately resorts to murder in a moment of blind rage. Lines like “I could see that girl was no good for me / But I was lost like a slave that no man could free” capture the narrator’s deep internal conflict and helplessness as he grapples with his jealousy. The narrative reaches its chilling peak with “She stood there laughing / I felt the knife in my hand, and she laughed no more,” illustrating the tragic descent from heartbreak to violence. Unlike songs that explore guilt or regret, “Delilah” does not dwell on redemption, instead portraying the destructive power of unchecked emotions. This storyline introduces a darker shade to the theme of ‘criminality’ on this list, where passion leads to irreversible consequences.

Musically, the song’s arrangement enhances its operatic feel, with a blend of brass, strings, and backing vocals that intensify the emotional weight of each verse. The song’s structure mirrors the rise and fall of the narrator’s emotions, drawing listeners into his turbulent experience. As the second entry on this list, “Delilah” brings a classic, dramatic perspective to the theme of crime, offering a cautionary tale about the dangerous path from heartbreak to vengeance. Tom Jones’s powerful delivery transforms the song into a visceral experience, leaving audiences to contemplate the dark impulses that lie beneath the surface of love and jealousy. Through its intense narrative and unforgettable melody, “Delilah” solidifies its place in rock history as a haunting ballad of passion and regret.

Read More: Top 10 Tom Jones Songs

# 8 – 18 and Life– Skid Row

“18 and Life” by Skid Row stands as one of the most haunting narratives of youthful recklessness and the tragic consequences of violence. Released in 1989 as the second single from their debut album Skid Row, this power ballad became the band’s highest-charting single, reaching number four on the Billboard Hot 100. Produced by Michael Wagener and recorded at New River Studios in Fort Lauderdale, Florida, the song’s evocative storytelling and emotional intensity brought Skid Row mainstream success. Musically, “18 and Life” combines gritty guitar riffs by Dave Sabo and Scotti Hill with the emotive vocals of Sebastian Bach, creating a song that’s as compelling as it is tragic. This single achieved gold certification from the RIAA, underscoring its impact on listeners and its significance in the rock genre.

The lyrics of “18 and Life” tell the story of Ricky, a young man who grows up in difficult circumstances and ultimately lands a life sentence in prison after an impulsive, deadly mistake. Opening with “Ricky was a young boy, he had a heart of stone,” the song paints Ricky as a tough, independent figure from the fringes of society. Lines like “Tequila in his heartbeat, his veins burned gasoline” illustrate his wild, reckless nature, while “He married trouble and had a courtship with a gun” foreshadow the tragic path he is on. In a moment of heedless violence, Ricky accidentally kills another, an act that seals his fate. The chorus, “Eighteen and life you got it, your crime is time and it’s eighteen and life to go,” captures the bitter irony of a young life condemned to endless punishment. Unlike the vengeful passion seen in Tom Jones’s “Delilah,” “18 and Life” offers a reflection on impulsive actions and the consequences that can’t be undone.

Musically, “18 and Life” amplifies the song’s heavy themes through a slow-building arrangement that intensifies with each verse. Bach’s soaring vocals give Ricky’s story a haunting quality, while the powerful guitar lines enhance the song’s emotional weight. In contrast to Fiona Apple’s confessional tone in “Criminal,” where guilt is expressed as an inner struggle, “18 and Life” is a cautionary tale told with a sense of inevitability and regret. As the third entry on this list, “18 and Life” deepens the exploration of crime in rock music, presenting ‘criminality’ as a tragic byproduct of youthful recklessness and societal failure. Through its gripping storytelling and raw intensity, “18 and Life” delivers a powerful message about choices, fate, and the high price of a single mistake.

Read More: Scotti Hill of Skid Row Interview: 10 Albums That Changed My Life

# 7 – Prison Blues – Johnny Cash

“Prison Blues” by Johnny Cash resonates as a deep, evocative reflection on life behind bars, echoing Cash’s empathy for society’s outcasts and those trapped within the prison system. Released in 1990 on his album Boom Chicka Boom, “Prison Blues” continues Cash’s longstanding tradition of exploring the themes of crime, punishment, and redemption. While Cash had long been associated with songs about prisoners and outlaws—such as his iconic “Folsom Prison Blues”—”Prison Blues” brings a fresh, raw take to his storied catalog, capturing the spirit of confinement with a stripped-down, bluesy sound. Produced by Jack Clement and recorded at Cowboy Arms Hotel and Recording Spa in Nashville, this track reveals Cash’s commitment to giving voice to those caught on the wrong side of the law.

The lyrics of “Prison Blues” vividly illustrate the harsh realities of prison life, capturing the day-to-day desolation and emotional weight borne by the narrator. Lines such as “You can hear that lonesome whistle blowin’ down the line” convey the isolation and separation from the outside world, while “I’m stuck in this cell with nothing but time” reflects the crushing monotony of imprisonment. Cash’s vocal delivery, as steady and unwavering as a train’s rhythm, amplifies this sense of despair, contrasting with the frantic tone of Skid Row’s “18 and Life,” where the protagonist’s downfall is marked by youthful recklessness. In “Prison Blues,” Cash’s narrator seems resigned to his fate, accepting the permanence of his sentence with a quiet dignity that has become emblematic of Cash’s work.

Musically, “Prison Blues” blends Cash’s signature country sound with deep blues influences, creating a slow, haunting rhythm that reflects the inner turmoil and isolation of prison life. His gravelly voice, paired with the rhythmic strumming of the guitar and subtle percussion, evokes a sense of confinement that matches the song’s somber lyrics. In contrast to the passion-driven tragedy of Tom Jones’s “Delilah,” “Prison Blues” presents criminality with a calm, introspective lens, emphasizing endurance over emotional intensity. As the fourth entry in this list, “Prison Blues” offers a powerful exploration of crime from within the prison walls, illuminating the emotional toll of punishment. Cash’s timeless storytelling and unvarnished honesty in “Prison Blues” provide a poignant reminder of the humanity that exists even in society’s most forgotten corners.

Read More: Complete List Of Johnny Cash Albums And Discography

# 6 – Smooth Criminal – Michael Jackson

“Smooth Criminal” by Michael Jackson is a thrilling exploration of crime and intrigue set to an irresistible beat. Released in 1988 as the seventh single from his acclaimed album Bad, the song became an instant classic with its pulsating rhythm, unforgettable bassline, and Jackson’s signature vocal intensity. Produced by Jackson and Quincy Jones, and recorded at Westlake Recording Studios in Los Angeles, “Smooth Criminal” captures Jackson at his creative peak, blending funk, pop, and rock elements into a song that is both suspenseful and infectious. The track reached number seven on the Billboard Hot 100 and became one of Jackson’s most iconic hits, immortalized by its innovative music video and the famous “anti-gravity lean.”

The lyrics of “Smooth Criminal” tell a mysterious, cinematic story centered around a character named Annie, who has been violently attacked. Opening with the unforgettable line, “As he came into the window / It was the sound of a crescendo,” the song thrusts listeners into the action, detailing a scene of chaos and urgency. The repeated refrain, “Annie, are you OK? / So, Annie, are you OK? / Are you OK, Annie?” conveys both a sense of alarm and a plea for reassurance, while Jackson’s delivery suggests an emotional intensity that draws the listener into the narrative. Unlike Johnny Cash’s reflective approach in “Prison Blues,” which focuses on the inner experience of the incarcerated, “Smooth Criminal” positions listeners on the outside of a crime scene, witnessing its aftermath and feeling the suspense unfold. This perspective, combined with Jackson’s urgent, staccato vocals, creates an intense, almost cinematic experience.

Musically, “Smooth Criminal” is driven by a fast-paced bassline, syncopated rhythm, and sharp, percussive beats, creating a sense of urgency that matches the song’s theme of danger and mystery. The synthesized bass riff, combined with Jackson’s precise vocal phrasing, adds a modern, almost futuristic feel to the track, making it stand out among other crime-focused songs on this list. In contrast to Skid Row’s “18 and Life,” which tells a cautionary tale of youthful missteps and irreversible consequences, “Smooth Criminal” maintains a sense of mystery and allure, reflecting the shadowy, suspenseful world Jackson creates. As the fifth entry in this list, “Smooth Criminal” demonstrates the versatility of crime as a theme in rock and pop, using Jackson’s unparalleled musicality to create a song that is as thrilling as it is unforgettable. Through its infectious beat, intense lyrics, and iconic music video, “Smooth Criminal” remains a high-energy portrayal of suspense and intrigue in music.

Read More: Michael Jackson’s Best Song On Each Of His Studio Albums

# 5 – Killers Eyes – The Kinks

“Killers Eyes” by The Kinks delves into the unsettling psyche of a remorseless criminal, exploring themes of disillusionment, despair, and societal decay. Featured on their 1981 album Give the People What They Want, this song adds a dark, introspective layer to the album’s themes, presenting a grim portrait of someone shaped by a troubled past who has crossed the boundary into violence. Ray Davies, the band’s lead singer and primary songwriter, wrote “Killers Eyes” amidst a climate of media sensationalism around crime, and the track reflects a fascination with the way society grapples with individuals capable of horrifying acts. The album was recorded in London and produced by Ray Davies himself, with band members Dave Davies on guitar, Mick Avory on drums, and Jim Rodford on bass contributing to the track’s stark, haunting soundscape.

Lyrically, “Killers Eyes” takes listeners into the mind of a person who feels alienated and bitter, but who has taken that despair to a chilling extreme. Opening with “I see so little hope in you, so much despair,” the lyrics reveal a narrator who is both horrified and captivated by the emptiness he perceives in the criminal. Lines like “Life means nothing to you, at least that’s what they say” confront the indifference of the individual, while “But it doesn’t mean that you have the right to take life away” critiques the individual’s self-justified violence. The lyrics capture a complex response to crime—both an attempt to understand and an outright condemnation. In comparison to Michael Jackson’s “Smooth Criminal,” which immerses listeners in suspense and mystery, “Killers Eyes” strips back the allure of criminality to expose the stark consequences and moral complexities surrounding violence.

Musically, “Killers Eyes” combines a restrained, somber rhythm with Ray Davies’s introspective vocal delivery, mirroring the brooding tone of the lyrics. The track’s instrumentation is more subdued than some of the band’s other songs, creating a haunting, almost hypnotic effect that reflects the character’s internal void. The chorus, repeating “Those killer’s eyes,” underscores the song’s sense of dread and curiosity, highlighting the inscrutability of a mind capable of such acts. In contrast to the rebellious energy of songs like “18 and Life” by Skid Row, “Killers Eyes” takes a quieter, more introspective approach, portraying a character who has internalized rage and transformed it into cold violence. Positioned as the sixth entry on this list, “Killers Eyes” shifts the focus to the dispassionate, unsettling nature of certain crimes, exploring how a troubled past and isolation can culminate in actions that defy moral comprehension.

By presenting crime from this deeply psychological angle, “Killers Eyes” challenges listeners to consider the roots of violence and the role of societal neglect. Ray Davies’s lyrics do not excuse the actions of the character, but rather they serve as a reflection on how society confronts—or fails to confront—the mental anguish that can fuel violent behavior. The song’s chilling exploration of a criminal’s psyche, stripped of any glamor, adds a thought-provoking layer to this list, grounding the theme of criminality in a sobering realism that asks listeners to question the unseen factors that lead people down dark paths.

Read More: Dave Davies of The Kinks: The ClassicRockHistory.com Interview

# 4 – I Shot The Sheriff – Eric Clapton

Eric Clapton’s “I Shot the Sheriff” is a compelling blend of reggae rhythms and rock sensibilities, telling a story of defiance and survival that has captivated audiences for decades. Originally written and recorded by Bob Marley, Clapton’s cover was released in 1974 on his album 461 Ocean Boulevard. Clapton’s interpretation became a major hit, reaching number one on the Billboard Hot 100 and introducing reggae to a wider American audience. Recorded at Criteria Studios in Miami, the track was produced by Tom Dowd, with Clapton on guitar and vocals, accompanied by his band, which included Carl Radle on bass, Jamie Oldaker on drums, and Dick Sims on keyboards. Clapton’s version retains the song’s signature reggae groove but infuses it with his distinctive blues-rock flair, making it a landmark moment for both his career and the genre’s crossover appeal.

Lyrically, “I Shot the Sheriff” revolves around a narrator who admits to shooting a corrupt sheriff in self-defense but denies killing the deputy. Lines such as “I shot the sheriff, but I did not shoot the deputy” reflect a sense of remorse and a desire to clear his name, presenting a criminal who is caught in a morally ambiguous situation. The lyrics also hint at themes of justice and oppression, as the sheriff is portrayed as an authority figure who has misused his power. This complex narrative adds depth to the theme of crime on this list, contrasting with the overt aggression in songs like “18 and Life” by Skid Row, where the protagonist’s actions lead to inevitable punishment. In “I Shot the Sheriff,” the narrator faces a blurred line between survival and criminality, adding a layer of intrigue and complexity to the list’s exploration of crime.

Musically, Clapton’s adaptation of “I Shot the Sheriff” stays true to the laid-back, syncopated rhythms of reggae while adding a rock edge through his emotive guitar solos and bluesy phrasing. His vocal delivery conveys a mix of defiance and regret, deepening the song’s narrative of conflict and moral ambiguity. The fusion of reggae with rock guitar solos in the song highlights Clapton’s skill in adapting and expanding Marley’s original vision, marking a crossover moment in rock history. Unlike the introspective and haunting tones of The Kinks’ “Killers Eyes,” Clapton’s “I Shot the Sheriff” brings an energetic groove to the theme of crime, creating a song that is as much a social commentary as it is a story of personal conflict. Positioned as the seventh entry in this list, “I Shot the Sheriff” provides a nuanced perspective on the idea of criminality, blending themes of survival, authority, and moral complexity into a track that resonates both musically and narratively. Through Clapton’s interpretation, “I Shot the Sheriff” remains an essential piece that bridges genre boundaries and explores the tension between justice and self-preservation.

Read More: 11 Incredible Eric Clapton Guitar Solos

# 3 – Bohemian Rhapsody – Queen

“Bohemian Rhapsody” by Queen is a groundbreaking rock epic that tells a surreal story of guilt, despair, and existential crisis. Released in 1975 as the lead single from their album A Night at the Opera, the song became one of Queen’s most celebrated works, blending rock, opera, and ballad elements into a complex, genre-defying masterpiece. Produced by Queen and Roy Thomas Baker and recorded at various studios in London, including Rockfield Studio, “Bohemian Rhapsody” was meticulously crafted over three weeks, with elaborate multi-tracked vocal harmonies and instrumental layers. Upon its release, the song reached number one on the UK Singles Chart, staying there for nine weeks, and later topped charts worldwide, solidifying Queen’s place as a force in rock music.

Lyrically, “Bohemian Rhapsody” follows a narrator who confesses to committing murder, wrestling with guilt, fear, and impending judgment. The song opens with the haunting line, “Is this the real life? Is this just fantasy?”—a question that sets the stage for an internal journey marked by doubt and self-reflection. As the narrative unfolds, the protagonist reveals that he “just killed a man,” capturing the weight of his remorse and the fear of retribution. Lines like “Mama, just killed a man / Put a gun against his head, pulled my trigger, now he’s dead” portray the act of crime in a stark, confessional light. Unlike the defiant tone in Eric Clapton’s “I Shot the Sheriff,” where the narrator justifies his actions, the protagonist in “Bohemian Rhapsody” is tormented by his guilt and seeks a form of redemption. This inner struggle brings an emotional depth to the song’s exploration of crime, offering a unique perspective on remorse.

Musically, “Bohemian Rhapsody” breaks traditional structures, moving from a piano ballad to a rock anthem, before culminating in a grandiose operatic section and finishing with a heavy rock finale. The song’s structure and genre shifts emphasize the chaotic inner conflict of the narrator, creating an immersive experience that captures the listener’s attention from start to finish. Freddie Mercury’s powerful, emotive vocals, along with Brian May’s guitar solo, add layers of drama and intensity, making the song a theatrical exploration of guilt and redemption. In comparison to “Killers Eyes” by The Kinks, which delves into the chilling mindset of a criminal, “Bohemian Rhapsody” offers a more personal and tumultuous journey, portraying crime as an act that consumes and devastates the individual’s psyche.

As the eighth entry on this list, “Bohemian Rhapsody” provides a deeply introspective take on the theme of crime, showcasing how an individual grapples with the repercussions of their actions. Its blend of musical innovation and lyrical depth has solidified it as one of the most influential songs in rock history, capturing the turmoil of remorse with an operatic flair that resonates across generations. Through its unforgettable structure and emotional narrative, “Bohemian Rhapsody” elevates the theme of crime to a dramatic, almost mythic level, leaving a lasting impression on the listener.

Read More: Brian May of Queen: The ClassicRockHistory.com Interview

# 2 – I Fought The Law – The Clash

“I Fought the Law” by The Clash captures the spirit of rebellion and the inevitability of consequence, presenting crime and defiance with a punk rock edge. Originally written by Sonny Curtis and popularized by the Bobby Fuller Four, The Clash’s 1979 version brought new intensity to the song and solidified it as an anthem for resistance. Released on their EP The Cost of Living, this rendition was recorded at Wessex Studios in London and produced by The Clash and Bill Price. By infusing the track with punk energy and raw emotion, The Clash transformed “I Fought the Law” into a rallying cry that aligned with their anti-establishment ethos, making it a staple in their live performances and a fan favorite.

The lyrics of “I Fought the Law” are straightforward yet impactful, narrating the story of a protagonist who ends up on the losing side of a battle against authority. The refrain, “I fought the law and the law won,” captures the futility of rebellion against an unyielding system, conveying both pride in standing up and resignation to the consequences. Lines like “Robbin’ people with a six-gun” and “I needed money ‘cause I had none” depict a life of desperation and crime, highlighting the character’s marginalization and his pursuit of survival by any means. In contrast to the introspective guilt found in Queen’s “Bohemian Rhapsody,” where the protagonist is consumed by remorse, “I Fought the Law” presents crime as a rebellious, almost romanticized act of defiance, only to ultimately surrender to the power of the law.

Musically, The Clash’s version of “I Fought the Law” is driven by its fast-paced, upbeat tempo and gritty guitar riffs, which add an urgency and sense of defiance to the track. Joe Strummer’s raw, impassioned vocals emphasize the inevitability and frustration of losing a fight against authority, bringing a punk ethos to the theme of criminality. Compared to Eric Clapton’s reggae-infused “I Shot the Sheriff,” which offers a slower, groove-oriented take on crime and self-defense, “I Fought the Law” charges ahead with unbridled energy, capturing a sense of urgency and helplessness. As the ninth entry on this list, “I Fought the Law” underscores the theme of crime through the lens of punk rebellion, illustrating how resistance can be both exhilarating and ultimately futile.

By presenting crime as a defiant yet doomed act, “I Fought the Law” adds a layer of resilience and rebellion to the exploration of criminality in rock music. Through The Clash’s energetic reinterpretation, the song resonates with listeners as both a celebration of defiance and a reminder of the power of authority, making it a powerful addition to this list.

Read More: Top 10 Clash Songs

# 1 – Gimme Shelter – The Rolling Stones

“Gimme Shelter” by The Rolling Stones is a haunting portrayal of societal unrest, capturing the looming threat of violence and the desperate need for refuge in a chaotic world. Released as the opening track on their 1969 album Let It Bleed, the song was written by Mick Jagger and Keith Richards during a time of intense social and political upheaval, reflecting the turmoil of the late 1960s. Recorded at Olympic Studios in London and produced by Jimmy Miller, “Gimme Shelter” features Richards’s iconic, ominous guitar riff and a soulful, powerful vocal performance by Jagger, alongside unforgettable backing vocals by Merry Clayton. The song has since become one of The Rolling Stones’ most acclaimed tracks, a dark anthem of fear and survival that resonates as deeply today as it did when it was first released.

The lyrics of “Gimme Shelter” depict a world on the brink of collapse, with war, violence, and destruction threatening to engulf everything. The opening lines, “Oh, a storm is threatening my very life today,” set a grim tone, while the refrain “It’s just a shot away” reflects the proximity of violence and catastrophe. Merry Clayton’s chilling vocals, particularly in the line “Rape, murder! It’s just a shot away,” add a visceral intensity to the song, emphasizing the urgency and fear in the face of uncontrollable forces. Unlike The Clash’s “I Fought the Law,” which focuses on an individual’s defiance against authority, “Gimme Shelter” captures a collective sense of dread and the instinctual desire to seek safety from an overwhelming threat. This shift in perspective moves the theme of criminality from personal rebellion to a broader exploration of societal collapse.

Musically, “Gimme Shelter” combines a driving rhythm with Richards’s eerie, tremolo-heavy guitar riff, creating an atmosphere of tension and impending danger. The song’s haunting groove is punctuated by Clayton’s backing vocals, which bring an almost apocalyptic intensity to the track, mirroring the themes of violence and desperation within the lyrics. In contrast to the rebellious energy of “I Fought the Law,” “Gimme Shelter” takes a more reflective and ominous approach, emphasizing the emotional weight of fear and uncertainty. Positioned as the closing track on this list, “Gimme Shelter” encapsulates the theme of criminality on a larger, societal scale, representing the darkness that lies just beneath the surface of society.

By ending the list with “Gimme Shelter,” the exploration of crime in rock music reaches its culmination, moving from individual acts of rebellion and violence to a collective, existential need for safety. The song’s depiction of impending chaos and the desperate plea for shelter speaks to the universal fear of a world spiraling out of control, leaving listeners with a powerful reminder of rock’s ability to capture the raw emotions and urgent themes of the human experience. Through its unforgettable combination of music and message, “Gimme Shelter” remains a profound, enduring anthem of survival in the face of an uncertain world.

Read More: Complete List Of The Rolling Stones Albums And Discography

10 Best Rock Songs About Criminalsarticle published on Classic RockHistory.com© 2024